Author Archives: Larry Gomez

Stereolab At The Bash On Ash

Like many venues in which I’ve seen concerts, the Bash On Ash does not exist any more. It was on the NE corner of Ash Ave and 5th Street in downtown Tempe, Arizona. I think it’s some kind of school now. This was one of the many times I saw Stereolab in concert. The first time I got to hear them perform was at the second stage and Lollapalooza in 1994, I think, right before Shonen Knife. I’ve seen them in Tucson and Phoenix, most recently in 2019 at the Crescent Ballroom in Downtown Phoenix. I’ve gone to California to see them, if they didn’t make an Arizona appearance.

I first discovered Stereolab when I was taking art classes at Arizona State University to complete my Bachelor of Fine Arts degree in the mid 1990s. The professors let us play music during our studio time in class. One of my classmates, Matt Kruse, played some of their music in one of our classes and I fell in love with their sound.

T-Shirt from one of their shows
Never saw a laundry bag as merch at a concert

In addition to drawing and painting, Matt was also a musician. He played guitar for a local Phoenix shoegaze band called Half String. He invited me to hear them play at a local venue, but don’t remember which. It might have been Hollywood Alley in Mesa. I’m a fan of shoegaze, and I thought this band was really great. We have several of their cds and play them often.

At that time, Matt was dating one of the members of the band, drummer Kimber Lanning. She later went on to open a record store in Tempe, called Stinkweeds, then a second location in Phoenix. Sometime after that, she opened an art space in Roosevelt Row in Downtown Phoenix called Modified. Modified also eventually featured live bands, and the first time I saw Low live was there. In 2003, Kimber went on to start a local-focused non-profit organization called Local First Arizona, which is still helping local Arizona businesses.

Mano Derecha Roja or the Red Right Hand, Comes to Town

I’ve been a fan of Nick Cave and the Bad Seeds since I heard Red Right Hand in the mid 90s, and this is still one of my favorite songs by them. It always evoked a sinister, dark feeling, because of Cave’s voice, but also the narrative itself. Who is the “tall, handsome man, in a dusty black coat, with the Red Right Hand”?

More people are now aware of the song, since part of it is used in the BBC drama, Peaky Blinders. So now, many people that I know associate it with that show. Here’s my art inspired by the Red Right Hand, that I call Mano Derecha Roja. Below, I describe the process that brought this image about.

Mano Derecha Roja. Red Right Hand. man in cowboy hat and coat.
Mano Derecha Roja.

I don’t remember what reminded me of the song when I drew this. I just started drawing, and came up with this pretty quickly on this 8×8 inch sketchbook. I modeled this somewhat after myself, in that I gave the figure a mustache like mine, and a hat and coat similar to some I own.

Pencil sketch with railroad and trestle.
Photoshop flat shape.

Here, I did a rough layout in Photoshop just to get a feel for the pose I wanted. I put the money in the figure’s right hand, since the hand looked like it was holding up something.

I eliminated the railroad image and put a viaduct in the background, as well as indication of mills with smoke from the stacks. All of those, are elements from the lyrics. I thought the mist curling in front would some atmosphere to the piece.

This stage reminded me a bit of Daniel Brereton’s work. He creates mostly horror-themed art, but also does some comics work. I like the stark, dramatic, but still very colorful, ligthing he tends to use in his artwork. I think I was channeling a little bit of that at this stage in this picture.

I noticed the right had was a bit off, that it was turned at a wrong angle, as if the had is perpendicular to the arm. I moved it so that it seemed like it actually was attached to the arm and holding the money naturally.

When I first created this layout, I drew the long coat as I thought it might look, not from anything I’d seen at that point, just my idea of one. It was good enough as a placeholder, but wanted it to look like something that could exist. I found some references of coats that looked more like I pictured it, sort of based on a trenchcoat I own. The collar is different than in the earlier images, the lapel more obvious. I also changed the mist from a pale blue to pale green.

The right hand at a more natural angle.
New style of black coat.

In the next image, I gave the red hand more definition and pushed the contrast a bit more. The shirt has some color, indicating it is dark purple, like one I have. Also, I added a belt buckle design from one that I have. The coat is also more defined.

Final version, so far. I deliberately left the background kind of vague, and expressive. I darkened the storm clouds and subdued the purple, so it’s more of a suggestion than a major color. The red right hand is clearer, and I pushed the contrast on the entire image. At this point, it’s pretty much finished, though I have worked on it a little since this stage, and there are some places I might still tinker with.

Mostly done. Just a few more touches.
Mano Derecha Roja. Red Right Hand. man in cowboy hat and coat.
Mano Derecha Roja. Final version.

Werewolf Sketch for Halloween Season

I drew this werewolf mostly as an exercise in drawing fine detail in graphite. I love the feel of a nice set of graphite pencils of various leads. Like most of my work, it started out as a rough sketch that just presented itself. I call this a werewolf, maybe in transition, but it could also be seen as a wolf-human hybrid, that looks this way all the time. At first, I pictured this as a guy in the process of transforming into a wolf or wolf creature, running home before the change was complete. You know, so as not disturb the neighbors. I haven’t decided.

The image below is how it looks when I scanned it last. I’ve worked on it some more, added detail, more fur, etc. I’ll eventually ink it.

The next image is the initial rough sketch in graphite on newsprint

I scanned the rough sketch and traced it in Photoshop. I chanced it to blue, so I can trace it easier. I then cut the image to reposition the various parts of the body. I turned it clockwise a few degrees, to make it more dynamic, and made the left leg smaller, indicating that it’s behind the other leg.

As I progress, I’ll post more pictures and hopefully, some when it’s done. Not sure when I’ll get back to this, but it should be soon.